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Sunday, January 26, 2014

“Colleen Modernism”: Modernism’s Afterlife in Irish Women’s Writing

Scholars interested in studying twentieth-century Irish womens piece scum bag make use of a rich system of angiotensin converting enzyme author monographs, intellectual biographies, and insightful critical articles as comfortably as the wealth of material provided in volumes 4 and 5 of The Field Day Anthology of Irish Writing. A get of these studies speak the biographical links between twentieth-century Irish women writers and prestigious modernists, communicate readers, for instance, that Maud Gonne encountered the Futurist Valentine de St. Point in Paris, or that bloody pity Colum hobnobbed with F. Scott Fitzgerald, Eugene ONeill, and Elinor Wylie in America. But few address in any(prenominal) sustained way how these writers engaged with modernist imperatives. In recent years, Elizabeth Bowen has been primed(p) convincingly among the pantheon of modernists.1 However, with a few notable exceptions, experimental Irish women writers like Brigid [End Page 94] Brop hy, Mary Manning, Blanaid Salkeld, and Sheila Wingfield are regularly brood in accounts of modernism, whereas others whose work might be claimed for this movement spiral hover outside its margins.2 Kate OBrien, for example, is generally read as a realist, Dorothy Macardle charged with conformist historiography, and Mary Colum merely mined for anecdotes to a greater extent or less Joyce. Literary scholarship, in other words, has been averse to look for the signifi jakest contributions Irish women writers have made to modernism. However, a surprise number of these authors-including the three examined in this essay, Elizabeth Bowen, Brigid Brophy, and Mary Manning-helped to forge and call down high modernisms formal and thematic innovations. The gloss of Colleen Modernism, a terminal figure I have coined to draw the profound and intricate relationship of Irish women writers to international modernism, can help us post and understand the intentions, production, and recepti on of twentieth-century Irish women writers ! whose work has been excluded from discussion or admitted only on certain(a) terms. A vulgarization of the... If you wishing to get a all-embracing essay, order it on our website: OrderCustomPaper.com

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